Music+More

시벨리우스 바이올린 협주곡 D 단조 3악장

Eunice_t-story 2013. 11. 14. 15:25
라디오 켰다가 듣게 된 이 곡이 하루 종일 귀에서 웽웽... 도입부 박력 터짐 ㅋㅋ
아마 내가 가장 첨 이 곡 연주를 들은 게 사라장 연주 영상이었다. 궁금해서 다른 연주자들의 버전도 들어 보기로.

 Maxim Vengerov 

Maxim Vengerov violin
Daniel Barenboim conductor
Chicago Symphony Orchestra
Jean Sibelius Violin Concerto in D minor, Op. 47
3rd Movement Allegro Ma Non Tanto
It was not until the late 1930s that this Concerto began to be accepted into our concert repertoire, largely championed by the late Jascha Heifitz. Earlier the distinguished scholar Sir Donald Tovey had described this movement, rather unkindly, as a "Polonaise for Polar bears", which tended to reflect reactionary opinion current some eighty years ago.
This movement falls into five distinct sections; D major, G minor, D major, D minor and D major. The four opening bars could only have been devised by Sibelius, violas, cellos, basses and timpani stress the rhythmic figure. With the entry of the soloist marked "energico" the orchestral forces are still of "chamber music" proportions and the whole sweeps along with great energy and eventually modulates into G minor for a bravura orchestral interlude. 
Do we not hear the first cry of wild birds in the woodwind before the soloist's re-entry? And back in D major, the orchestra takes over the opening theme against a flurry of triplets, while the soloist virtually explores the whole range of the violin. A brief second orchestral interlude leads the soloist back to the theme, now one and a half tones higher, the first rung of the ladder to lift it even higher. 
And so back into D minor, where fluid rising arpeggios from the soloist lead the orchestra into its third interlude, the opening theme still dominating. The soloist and orchestra now sweep on, the soloist exploring all the possibilities of the movement's theme with harmonies and complicated double and triple stopping, and the orchestra, hinting at the theme with a rhythmic (which has now become) an "ostinato" accompaniment.
With a slackening of dynamics the D major Coda is reached, and then with undiminished drive and virtuosity and with a full orchestral chord on the second beat of the third bar before the end, a chord which seems, in the humble opinion of the writer of these notes, to trip up the music into a truncated ending.

 Benjamin Beilman 

Benjamin Beilman's moving and competition winning performance during the final round of the "Montreal International Musical Competition".


 David Oistrakh 


February, 1966.

Moscow Radio Symphony Orchestra, directed by Gennady Rozhdestvensky.


 김지원 



24 Year old Ji Won Kim, from Australia, performing the third movement of Sibelius Violin Concerto in D minor Op. 47 in the Grand Final of the 2009 ABC Symphony Australia Young Performers Awards | Kim was awarded the 2009 Grand Prize | Kim currently studies with Alice Waten at the Sydney Conservatorium | Kim won first prize in the 2005 International Johannes Brahms Competition, and second prize at both the Lisbon SIC and the Slovenia Bled International Violin Competitions | Recorded with the Adelaide Symphony Orchestra - James Judd conducting

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